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@ Ebook The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature, by Agnieszka Soltysik Monne

Ebook The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature, by Agnieszka Soltysik Monne

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The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature, by Agnieszka Soltysik Monne

The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature, by Agnieszka Soltysik Monne



The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature, by Agnieszka Soltysik Monne

Ebook The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature, by Agnieszka Soltysik Monne

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The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature, by Agnieszka Soltysik Monne

Taking as its point of departure recent insights about the performative nature of genre, The Poetics and Politics of the American Gothic challenges the critical tendency to accept at face value that gothic literature is mainly about fear. Instead, Agnieszka Soltysik Monnet argues that the American Gothic, and gothic literature in general, is also about judgment: how to judge and what happens when judgment is confronted with situations that defy its limits.

Poe, Hawthorne, Melville, Gilman, and James all shared a concern with the political and ideological debates of their time, but tended to approach these debates indirectly. Thus, Monnet suggests, while slavery and race are not the explicit subject matter of antebellum works by Poe and Hawthorne, they nevertheless permeate it through suggestive analogies and tacit references. Similarly, Melville, Gilman, and James use the gothic to explore the categories of gender and sexuality that were being renegotiated during the latter half of the century. Focusing on "The Fall of the House of Usher," The Marble Faun, Pierre, The Turn of the Screw, and "The Yellow Wallpaper," Monnet brings to bear minor texts by the same authors that further enrich her innovative readings of these canonical works. At the same time, her study persuasively argues that the Gothic's endurance and ubiquity are in large part related to its being uniquely adapted to rehearse questions about judgment and justice that continue to fascinate and disturb.

  • Sales Rank: #3760819 in eBooks
  • Published on: 2013-04-28
  • Released on: 2013-04-28
  • Format: Kindle eBook

Review
'Monnet's study is deftly written. ... Monnet's study may prompt us to yearn for a still richer story about the associations and paths generated by this form in a longer and more culturally diverse literary history. ...[It] provides a crisp and useful challenge to our understanding of the gothic mode at a moment when literary study itself continues to "re-describe" its own narrative in contradictory, uneasy, and productive ways.' nbol-19

About the Author
Agnieszka Soltysik Monnet is Assistant Professor of American Literature at the University of Lausanne, Switzerland.

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