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The Photoshop Darkroom 2: Creative Digital Transformations, by Harold Davis

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Award-winning photography/design team Harold and Phyllis Davis are back with a brand new volume in their new Photoshop Darkroom series. Picking up where their best-selling first book left off, The Photoshop Darkroom 2: Advanced Digital Post-Processing will show you everything you need to know to take your digital imaging skills to the next level. Great photographers know that the best images begin well before the shutter clicks, and certainly well before Photoshop boots up. Harold takes a step back, and shares his helpful tips for capturing the most compelling images possible by keeping in mind what type of post-processing you'll do before you start shooting. You'll also find complete coverage of important topics such as compositing, working with layers, and HDR. Packed with tons of eye-popping images which have won Harold national acclaim, this is a fantastic resource for photographers who want to think outside the box and create truly stunning artwork.
- Sales Rank: #1447491 in eBooks
- Published on: 2013-03-20
- Released on: 2013-03-20
- Format: Kindle eBook
Review
"Written by a photographer and designer team, this excellent release deals with such matters in easy-to-follow steps and thorough detail, covering topics such as lighting and compositional post-work and HDR processing, all accompanied with stunning example imagery. This is an extremely thorough overview for anyone who's relatively new to the whole postproduction process."--Computer Arts Magazine
"The book covers effects and techniques compatible with any version of Photoshop, although one technique deals with Content Aware Fill, found in Photoshop CS5. An astute user could potentially achieve the same effects in older versions of Photoshop, by modifying the outlined steps. Experimentation is always a journey unto itself: you may discover some new way of achieving the results desired, or even uncover something new and totally different."--Horizons Erie User Group Newsletter
"The goal of the book is to inspire you with techniques to try. The emphasis in this title is on creative transformations. This involves a wide range of image creation challenges from cleaning up an image to creating entirely new fantastic digital images. With this book you will learn how to take advantage of the possibilities available in RAW image files; use Adobe Lightroom to multi-RAW process your photo; correct flaws and improve the tonality of your images; improve and enhance portraits and glamour shots; extend the dynamic range of your photos; create high dynamic range images by hand, and much more."--NeoPopRealismJournal.com
About the Author
Harold Davis is an award-winning professional photographer. He is the best-selling author of more than 30 books, including The Photoshop Darkroom 2: Creative Digital Transformations (Focal Press), Creative Porraits: Digital Photography Tips & Techniques (Wiley), Creative Black & White: Digital Photography Tips & Techniques (Wiley), Creative Composition: Digital Photography Tips & Techniques (Wiley), Creative Night: Digital Photography Tips & Techniques (Wiley), Creative Close-Ups: Digital Photography Tips & Techniques (Wiley), The Photoshop Darkroom: Creative Digital Post-Processing (Focal Press) and Practical Artistry: Light & Exposure for Digital Photographers (O'Reilly). Harold writes the popular Photoblog 2.0, www.photoblog2.com, and is a regular photography and Photoshop columnist for Photo.net, a photography site with more than one million members. Harold is a popular presenter on a wide range of digital photography and Photoshop topics. His workshops are sought after and often sold out. In addition to writing and photography, Harold has been a software engineer, an enterprise technology consultant, and an Internet company executive. Photographic adventures and assignments have taken him across the Brooks Range, the northernmost mountains in Alaska. He has photographed the World Trade Towers, hanging out of a small plane, followed in the footsteps of Seneca Ray Stoddard, a 19th-century photographer of the Adirondacks, and created human interest photo stories about the residents of Love Canal, an environmental disaster area. Harold is well known for his night photography and experimental ultra-long exposure techniques, use of vibrant, saturated colors in landscape compositions, and beautiful creative floral imagery. He is inspired by the flowers in his garden, hiking in the wilderness, and the work of great artists and photographers including M.C. Escher, Monet, van Gogh, and Edward Weston.
Phyllis Davis is a graphic designer and writer. Her design credits include many books, posters, advertisements, and Internet projects. Phyllis is the author of more than twenty books on topics that range from elementary algebra to image editing software such as The Gimp and Photoshop. As a writer, she is well known for her ability to break complex topics down into easy to follow, simple steps. Phyllis has a deep interest in education. She believes in working "smarter, not harder,” and that learning happens most when it is fun. She has followed her interest in unconventional educational strategies as a writer, trainer, and course developer. Phyllis was trained as a classical bassoonist. She is a winner of the Prix de Paris, and holds both a MM degree from Manhattan School of Music and a Diplôme Supériuer d'Exécution from the Ecole Normale de Musique de Paris.
Most helpful customer reviews
24 of 27 people found the following review helpful.
Limited utility
By Personne
This slim volume covers a few areas of image-processing. Some areas are covered nicely, while others are considerably weaker.
Harold Davis excels with his backlit images of flowers which have all the delicacy of water color. His technique (he calls it 'hand hdr') of combining multiple exposures is covered in detail. He also describes his unusual compositing techniques, which have given him strange and beautiful images. He enjoins the reader to experiment with different color spaces, particularly Lab Color. Virtually all of his transformations are accomplished without the filters (pastel, gesso, brushstrokes, etc) used by first-timers. This is all valuable information.
Where I feel that Davis falls short is in his actual use of Photoshop. While his techniques work, they barely touch on more recent developments in PS. For example, Davis recommends layering varied conversions of the same RAW file. But he doesn't touch on the subject of smart layers, which both simplify this process and confer greater flexibility. Nor is there any mention of adjustment layers, which I believe would accomplish many of his effects with less fuss. Much of his compositing (I'm thinking particularly of his Escher-like staircases) would be much easier with the new puppet warp feature. He also uses a brush to paint over many problem areas; while he's good at it, it's devilishly difficult to do and shows too little faith in judicious use of the new context-sensitive features of CS5. The section on glamour retouching should have been excluded. Many of the problems could have been eliminated by more careful studio lighting. Most of the remaining touch-up looks artificial. All in all, it feels like Davis's knowledge of Photoshop has not been refreshed in quite some time.
For an overall sense of good PS workflow, I still feel that the books of Martin Evening are in a league of their own. Once the user has an up-to-date feel for the program, there are still some nice tidbits in this book.
6 of 6 people found the following review helpful.
A different kind of Photoshop book
By Mark Colan
Photoshop is a mature product, having been around for a couple of decades. It is huge in terms of the number of features, and the book market for teaching people how to use it has evolved accordingly. At first there were only "Bible" books that attempted to teach you everything. More recently there have been books that are more topical, teaching you specific kinds of skills, like color adjustment, or digital collage, or painting. I haven't seen a book of this sort before - mainly because I have not read it's predecessor, The Photoshop Darkroom: Creative Digital Post-Processing.
FIRST IMPRESSIONS
Just looking at the cover, then flipping through the pages, one cannot help but be astonished at the lively, colorful, attractive pictures. The usual flowers, pictures of women's faces, spiral staircases, but with unusual treatments. "How did he DO that?" is a question that keeps coming up as I browse the book.
HOW HE DOES IT
The best part of this book, and what sets it apart from others, is he takes you through multi-step processes of using a variety of different techniques to create a unique image. Other books will typically show you how to use one technique, and the result. That's very helpful, as far as it goes, but the real power of Photoshop is combining these techniques. Going through a process of combining the techniques gets you to think about planning the result and how to get there.
The book is organized as a series of separate projects. Each project has the steps, including original pictures, and interim steps along the way. He explains what he is doing, and why. it's a little like seeing a demonstration.
SIDEBARS AND CASE STUDIES
Scattered among these lessons you will find additional lessons in boxes to teach you other morsels of information, sometimes directly relevant, sometimes a bit tangential to the subject at hand.
BOTTOM LINE
I love this book. That means five stars. Yes, as an Amazon Vine reviewer, the reviewer copy was provided for me, but for sure I will be buying the first and third, and reading them all, and trying to reproduce the results with similar photos.
5 of 5 people found the following review helpful.
Great Post-Production Guide That Happens to Use Photoshop
By PD
More and more I'm liking these types of books that concentrate on post-production of an image, where the tool of choice just happens to be Photoshop. This is NOT a Photoshop step-by-step book and it's not meant to be. This book is intended for that photographer or editor that has their feet wet with Photoshop and understands the standard tools and functions, and is saying to themselves, "OK, I know what layers are and blending modes and how to use selection tools and Levels, etc, but how do I BEST use this Adobe tool to create a solid post-production workflow?". If you're there, this is your book. Have a look at the preview, especially the Table of Contents and you'll see what is covered. It's about 200 pages long and covers roughly 60 techniques, there aren't really any long chapters. I personally like that format, you hit each sep one at a time. But with that there are "post-it notes" and other inserted notes on the pages where the authors give a short but important "why you're doing this" tip. I really like this book, even as a seasoned pro I'll be keeping this handy with tabs on the best pages as a guidebook/workbook. I wish something like this was out 5 years ago!
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